Saved the last dance soundtrack: Save the Last Dance (2001) – Soundtracks

Save the Last Dance (2001) – Soundtracks

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• You Don’t Really Want Some

  Written by Anthony President and Ainz Brainz Prasad (as Brainz Dimilo)

  Performed by Blackout

• Let’s Get Crunk

  Written and Performed by Shawty Redd

• I Heard You Breathing

  Written by Anthony President and Ainz Brainz Prasad (as Brainz Dimilo)

  Performed by Blackout

• Move It Slow

  by Lashone “La D” Fletcher and Joseph “JoJo” Hearne

  Performed by LaShone D’Andrell Fletcher and Joseph Hearne

  Courtesy of Charmani Music

  Under license from Southern Fried Entertainment, Inc.

• When It Doesn’t Matter

  Written by Gen Rubin and Angela Ammons

  Performed by Angela Ammons

• In for Cream

  Written by Anthony President and Ainz Brainz Prasad (as Brainz Dimilo)

  Performed by Presidential Campaign

• Everything Iz Buzziness

  Written and Performed by Shawty Redd

• Where You At

  Written by Anthony President, Ainz Brainz Prasad (as Brainz Dimilo), Fatman Scoop (as Isaac Freeman III), Joe Rizzo, and Edmond Bini

  Performed by Fatman Scoop (as Fat Man Scoop)

  Produced by Anthony President and Brainz Dimilo

  Fat Man Scoop performs courtesy of AV8 Records

• Drop It to Da Flow

  Written and Performed by Shawty Redd

• Big Ballin

  Written and Performed by Shawty Redd

• Bounce

  Written by Anthony President and Ainz Brainz Prasad (as Brainz Dimilo)

  Performed by Blackout

• Bad Boyz

  by Shyne (as Jamaal Barrow), Lamont Porter, David Bowie, and Iggy Pop

• So Special

  by George Acogny, Darryl Phinnessee, Kamil Rustam, and Jess Willard III

  Performed by The World Beaters featuring Jess Willard III, and Darryl Phinnessee

  Produced by George Acogny and Kamil Rustam

• Murder She Wrote

  by Lowell ‘Sly’ Dunbar (as Sly Dunbar), Pliers (as Everton Bonner), Chaka Demus (as John Christopher Taylor), and Lloyd Willis

  Performed by Chaka Demus and Pliers

  Courtesy of The Island Def Jam Music Group

  Under license from Universal Music Enterprises

• Da Rockwilder

  by Rockwilder (as Dana Stinson), Method Man (as Clifford Smith), Redman (as Reggie Noble), B-Real (as Louis Freese), Brett Bouldin, DJ Muggs (as Larry Muggerud), Gene Chandler (as Eugene Dixon), Earl Edwards, and Bernice Williams

  Performed by Method Man (as Methodman) / Redman

  Courtesy of The Island Def Jam Music Group

  Under license from Universal Music Enterprises

• Be Faithful

  Performed by Faith Evans featuring Fatman Scoop (as Fat Man Scoop)

• U Know What’s Up

  by Edward Ferrell (as Edward Ferrell 2nd), Darren Lighty, Cliff Lighty, Balewa Muhammad, Veronica McKenzie, and Anthony Hamilton

  Performed by Donell Jones

  Courtesy of LaFace Records/Arista Records, Inc.

• Shake Something

  Written and Performed by Shawty Redd

• You Make Me Sick

  Written by Anthony President, Ainz Brainz Prasad (as Brainz Dimilo) and Mark Tabb

  Performed by Pink

  Courtesy of LaFace Records/Arista Records, Inc.

• You

  by Raphael Saadiq, Battlecat (as Kevin Gilliam), Snoop Dogg, and Q-Tip (as Kamaal Fareed)

  Performed by Lucy Pearl featuring Snoop Dogg, and Q-Tip

  Courtesy of Pookie Records/Beyond Music

  Snoop Dogg performs courtesy of Priority Records

  Q-Tip performs courtesy of Arista Records, Inc.

• Symphony No. 5 in E Minor, Opus 64: Second Movement, Andante Cantabile

  Written by Pyotr Ilyich Tchaikovsky (as P. Tchaikovsky)

  Performed by Budapest Orchestra

  Conducted by Allan Lewis

  Courtesy of Joffrey Ballet of Chicago

• Concerto in G for Piano and Orchestra

  Second Movement, Adagio Assai”

  Written by Maurice Ravel

• I Can Tell

  by Kenny Kornegay, Thabiso Nkhereanye, Sam Salter, Darryl Young, John Sebastian, Mark Sebastian, and Steve Boone

• Only You

  Written by Sean ‘Diddy’ Combs (as Sean “Puffy” Combs), The Notorious B.I.G. (as Christopher Wallace), Slim (as Marvin Scandrick), Michael Marcel Keith (as Michael Keith), Quinnes Dammond Parker (as Quinnes Parker), DaRon Jones (as Daron Jones), Steven Jordan, DJ Rogers, Harry Wayne Casey (as Harry Casey), and Richard Finch

• Holla at Me

  Written by Len Turner and Anthony President

  Performed by Anthony President

• You Can Do It

  by Ice Cube (as O’Shea Jackson), Mack 10 (as Dedrick Rolison), Don “One Eye” Saunders, Arthur Baker, Afrika Bambaataa, Pow Wow (as Robert Allen), G. L.O.B.E. (as John B. Miller), Mr. Biggs (as Ellis Williams), and John Robie

  Performed by Ice Cube featuring Mack 10 and Ms. Toi

  Courtesy of Priority Records

  Contains sample from “Planet Rock”

  Performed by Afrika Bambaataa and Soul Sonic Force (as The Soul Sonic Force)

  Under license from Tommy Boy Music

• What You Want

  by Sean ‘Diddy’ Combs (as Sean “Puffy” Combs), Mase (as Mason Betha), Keisha Spivey, Nashiem Myrick, and Curtis Mayfield

• My Window

  by Darrell Anthony, Eric Jackson, and Diddamo

  Performed by Soulbone

  Courtesy of Hollywood Records

• Shining Through

  Written by Billy Steinberg and Tom Kelly

• Bonafide

  by Jeremy Monroe, Georgette Franklin, Erik Isaacs, and Craig Owens

  Performed by X-2-C

  Courtesy of Hollywood Records

• All or Nothing

  by John Rhone, Ontario Haynes, Enchanteé Minor, Chante Frierson, Sherree Ford Payne (as Sherree Ford),

  Latrelle (as Latrelle Simmons), and Arlene Aleese Simmons (as Aleese Simmons)

  Performed by Athena Cage

  Produced by Whole 9

  Athena Cage performs courtesy of Priority Records

• Simon Says

  by Pharoahe Monch (as Troy Jamerson)

  Performed by Pharoahe Monch

  Courtesy of Rawkus Entertainment

• Don’t Stop Get It

  Written by Anthony President and Ainz Brainz Prasad (as Brainz Dimilo)

  Performed by Blackout

• Get It on Tonite

  Written by Montell Jordan, Joerg Evers, Jürgen Korduletsch, Darren Benbow, Antoine Wilson, Brian Palmer, and Sergio Moore

• Crazy

  Written by Delite Allamby (as Darrell Delite Allamby), Lincoln Browder (as Lincoln Link Browder), Jo Jo Hailey (as Joel Hailey), and K-Ci Hailey (as Cedric Hailey)

  Performed by K-Ci & Jojo

  Produced by Delite Allamby (as Darrell Delite Allamby)

  K-Ci & JoJo perform courtesy of MCA Records

• Hate the Playaz

  Written by Brian Kierulf, Josh Schwartz, and Nathan Butler

  Performed by Audrey Martells with KNS

  Courtesy of Zomba Music Services

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By what name was Save the Last Dance (2001) officially released in India in English?

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Original Soundtrack – Save the Last Dance Album Reviews, Songs & More

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Save the Last Dance Review

by MacKenzie Wilson

The soundtrack to the MTV flick Save the Last Dance features a wide array of music capturing the various settings of the film, which stars Julia Stiles and Sean Patrick Thomas in a conflict of black and white America. Artists contributing tracks to the movie include Lucy Pearl, Snoop Doggy Dogg, Q-Tip, and K-Ci & JoJo.

Track Listing

blue highlight denotes track pick

Save the Last Dance Album Information

Release Date

December 19, 2000

Duration

59:27

Genre

Stage & Screen R&B Pop/Rock Rap

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Album Moods

Dramatic

Nocturnal

Stylish

Confident

Provocative

Rousing

Sexual

Aggressive

Exuberant

Passionate

Sensual

Playful

Energetic

Irreverent

Album Themes

Club

Late Night

Cool & Cocky

Sex

Choreography | Belcanto.

ru

from Greek. choreia – dance and grapho – I write

1) Dance record (original meaning).

2) Dance. art as a whole, in all its varieties (the meaning of the term “X.” from the end of the 19th century). H.’s art is based on musically organized, conditional, figuratively expressive movements of the human body. The beginnings of figurative expressiveness are characteristic of human plasticity in real life as well. In the way a person moves, gesticulates and plastically reacts to the actions of others, the features of his character, the structure of feelings, and the uniqueness of his personality are expressed. Such “speaking” characteristic and expressive elements born in real life are usually called plastic. intonations or motives. The origins of the figurative nature of X are rooted in them. It is based on the fact that characteristically expressive plastic. motives, relying on music, are selected from a variety of real life movements, generalized and organized according to the laws of rhythm and symmetry, ornamental pattern, decorative whole. Kh. – the art is originally synthetic, because outside the music, which enhances the expressiveness of the dances. plastics, giving her emotional and rhythmic. basis, it cannot exist. The rhythm of percussion instruments that accompanies the dances of some Eastern. and Afr. peoples, is already a kind of music. At the same time, dance is a spectacular art, where not only the temporal, but also the spatial composition of the dance, the visible appearance of the dancers (hence the role of costume, decorative design, etc.) acquires significant significance. The highest form of H. is ballet, which is at the same time a kind of muses. theater.

The art of Kh. originated in ancient times. Already in the primitive era, dance arose as a direct expression of people’s joy at the successful completion of their labor or military activities. It was based on the reproduction of the corresponding movements, originally had a religious magic. meaning, was inseparable from the rituals. In a class society, there was a division of dance into nar. and professional. Nar. dance for a long time kept in touch with labor processes, pagan and everyday rituals (pantomime dance in ancient China and ancient India, ancient Greek Dionysian games, Russian Maslenitsa games, etc.). It found expression of the feelings of the people, features of the nat. character, reflected diff. sides of his life. Gradually separating from a direct connection with labor and rituals, the dance acquired the meaning of art, embodying the beauty of the body, decomp. state of the human spirit. Already in antiquity there was a prof. dance as a spectacle similar to theatrical. From con. 16th century ballet began to take shape, first existing in the form of interludes and divertissements in opera and drama. mythological representations. character, and in the 18th century. separated into independent art. Throughout its history, Prof. Kh.’s art was based on Nar. dance, borrowed and implemented many of its elements.

Modern Kh. distinguishes between everyday dance (folk and ballroom) and stage dance (variety and ballet).